Sam Park: Venice, Schmidt
Another oilpainting that was generally very pleasant to work with. Good bright colors, straight lines for reference and an overall good sense of where pieces needed to be. In addition, this particular production from Schmidt felt a little bit different than we are used to. Pieces were normally shaped, but still had partly characteristics of random cut style pieces, making it best of both worlds. Not sure if this style is a new or discontinued production line, but I hope we can find it again.
